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Bharatnatyam Legend Selected Dance Over An Supply to Be India’s President

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Bharatnatyam Legend Selected Dance Over An Supply to Be India’s President

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Rukmini Devi Arundale needed to rework the best way folks checked out Bharatnatyam, a dance kind which was as soon as carried out solely by devadasis. She and her husband established a dance and music academy referred to as Kalakshetra at Adyar close to Chennai to encourage others to study such artwork types.

Do you know that Rukmini Devi Arundale, the legendary Bharatnatyam dancer, was as soon as provided the chance to change into the president of India?

As stunning as it would sound, the dancer humbly refused in order to pursue her ardour for dance. Right here is her story.

Born on 29 February, 1904, right into a Brahmin household in Madurai, Rukmini was one in all eight kids of Nilakanta Sastri and Seshammal. On the age of 16, she fell in love with an educator, theosophist, and Annie Besant’s trusted lieutenant, George Arundale, whom she married in 1920.

The couple travelled the world over, and on one in all her travels on a ship to Australia, she met with legendary ballerina Anna Pavlova. It was at Pavlova’s request that she started studying ballet. Pavlova had additionally suggested Rukmini to encourage the dancer inside her by looking for inspiration in classical Indian dance types.

This led Rukmini on a path of studying, practising and selling Bharatnatyam — an artwork kind which was solely carried out by devadasis (girls ritually “devoted” to the service of a temple for the remainder of their lives) again then.

In January 1936, Rukmini and her husband established an academy of dance and music referred to as Kalakshetra at Adyar close to Chennai. Based mostly on the ideas of the traditional Indian Gurukul system, they included a highschool, a senior secondary college, and an artwork academy the place music and dance have been typically taught beneath sprawling timber.

Within the following many years, she additionally began to carry out the dance publicly to scale back the taboo round it. She went on to change into one in all India’s most celebrated dancers and the primary revivalist of Indian classical types. In 1956, she was awarded the Padma Bhushan and in 1967, she obtained the Sangeet Natak Akademi Award.

Edited by Pranita Bhat



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